Vitaly S Alexius is an innovative graphic artist with a style all of his own, and of his own making. Born in Novokuznetsk, located on the Tom River in south central Siberian Russia in the year of our Big Brother (1984, for all those not acquainted with the reference). With a fascination in all things celestial and a wide range of artistic backgrounds, add a dash of Photoshop enthusiasm, and Vitaly has created a unique artistic voice that shines like the stars from the heavens above. Early in his life, Vitaly grew up in the European architecture and factories that surrounded him,and he immersed himself in it. In the late 90’s Vitaly found himself inexplicably launched overseas to Toronto, Canada where he completed his artistic education and gave rise to his style which he named ’Dreaminism’. Vitaly is currently working in illustration and photography exploring a variety of outlets such as CD/book/comic covers, posters, concept art and more.
Indulge in the following showcase of Vitaly S Alexius’s ’Dreaminism’!
Modern Magic
Modern Magic was a design done for the cover of the New Yorker magazine where we see Vitaly’s love for looming architecture take form. The piece offers a contrast whereas a large metropolis brimming with polluted clouds of air is pitted against a serene cottage resting atop one of the massive structures being bathed cleanly in a vast ray of sunlight.
~There’s no place like home.
Machinery of the Stars
Machinery of the Stars is a dazzling digital display born of a simple concept. ‘Perhaps there is another you, looking up in the sky, across the universe?’ From this simple ponderance, Vitaly turned to his love of the celestial, painting a breathtaking explosion of astral machinery above an expansive cityscape, and a lone person taking it all in lost in the question that inspired the piece.
‘What do you see,
when you look onto the stars,
In the darkest hour of night?’
Symphony of Darkness
Symphony of Darkness is so aptly named it is almost as frightening as the piece itself. This brilliant blend of the macabre and surreal creates a scene of beautiful horror that will stick in your mind for days. There is not much else to say about this work that it does not say for itself, not to mention the aid of the verse the artist attached to it.
‘There ain’t nothing to fear,
But the living fear itself,
And the sound of metallic footsteps
In pitch black darkness,
Where pure despair collects it toll.
Don’t blink or close thy eyes,
Or thou may see it too.’
Consonance
Consonance is a piece that grew from the idea that ‘music is about harmony, like a growing tree’. This inspiring illustration was created as for a school assignment based on the theme ‘Classical Music’, and the monotone creation with subtle flecks of color grant it that ageless flow that create the harmony it reaches for.
Collision of Worlds
Collision of Worlds is another amazing digital masterpiece with a nod to the stellar wonders that fascinated Vitaly as a child. With potent imagination and stunning astral imagery this vibrant creation explodes across the digital canvas coming to life with remarkable ease. No doubt about it, this is what’s like when worlds collide!
‘Falling, falling, falling…
My world was crashing down.’
Starcatchers
Starcatchers is by far the most colorful and rich piece that we have gathered from Vitaly’s gallery. Both in depth and scope, this surrealistic extravaganza delivers the truest essence of art. The artist’s included verse eloquently aids the piece so we shall let them say their part.
‘No certain future in sight
Nothing but darkness in the immeasurable depths of space
Between the horizons of distant stars
No other options upon this path,
But to evolve, and to adapt to the undying laws
That shaped the universe itself.
And even go beyond,
To catch the stars themselves,
In a tight grip of metal
To harness their energy
for our bidding…’
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